ARCHITECTURE AND ARCHITECT
Architecture and architect
Architecture is both the process and product of planning, designing
and construction.
Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art.
Historical civilizations are often identified with their surviving
architectural achievements.
"Architecture" can mean:
- A general term
to describe buildings and other physical structures.
- The art and
science of designing and erecting
buildings and other physical structures.
- The style and
method of design and construction of buildings and other physical
structures.
- The practice
of the architect, where
architecture means the offering or rendering of professional services in
connection with the design and construction of buildings, or built
environments.[1]
- The design
activity of the architect, from the macro-level (urban design, landscape
architecture) to the micro-level (construction
details and furniture).
- The term
"architecture" has been adopted to describe the activity of
designing any kind of system, and is commonly used in describing information
technology.
In relation to buildings, architecture has to
do with the planning, designing and constructing form, space and ambience that
reflect functional, technical, social, environmental, and aesthetic
considerations. It requires the creative manipulation and coordination of
material, technology, light and shadow. Architecture also encompasses the
pragmatic aspects of realizing buildings and structures, including scheduling,
cost estimating and construction administration. As documentation produced by
architects, typically drawings, plans and technical specifications,
architecture defines the structure and/or behavior of a building or any other kind of system that is to be or has been constructed.
Historic treatises
The earliest surviving written work on the
subject of architecture is De
architectura, by the Roman architect Vitruvius in the early 1st century AD.
According to Vitruvius, a good building should satisfy the three
principles of firmitas, utilitas, venustas, which translate roughly as –
- Durability –
it should stand up robustly and remain in good condition.
- Utility – it
should be useful and function well for the people using it.
- Beauty – it
should delight people and raise their spirits.
Modern concepts of architecture
The great 19th century architect of
skyscrapers, Louis
Sullivan, promoted an overriding precept to
architectural design: "Form follows function".
While the notion that structural and
aesthetic considerations should be entirely subject to functionality was met
with both popularity and skepticism, it had the effect of introducing the
concept of "function" in place of Vitruvius' "utility".
"Function" came to be seen as encompassing all criteria of the use,
perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural.
Nunzia Rondanini stated, "Through its
aesthetic dimension architecture goes beyond the functional aspects that it has
in common with other human sciences. Through its own particular way of
expressing values,
architecture can stimulate and influence social life without presuming that, in
and of itself, it will promote social development.'
Frank Lloyd Wright on Architecture
"What is architecture anyway? Is it the
vast collection of the various buildings which have been built to please the
varying taste of the various lords of mankind? I think not. "No, I know
that architecture is life; or at least it is life itself taking form and
therefore it is the truest record of life as it was lived in the world
yesterday, as it is lived today or ever will be lived. So architecture I know
to be a Great Spirit....
"Architecture is that great living
creative spirit which from generation to generation, from age to age, proceeds,
persists, creates, according to the nature of man, and his circumstances as
they change. That is really architecture."
Architect
An architect
is a person trained to plan and design buildings, and oversees their
construction. To practice architecture means to provide services in
connection with the design and construction of buildings and the space within
the site surrounding the buildings that have as their principal purpose human
occupancy or use. Etymologically, architect
derives from the Latin architectus, which derives from the Greek arkhitekton
(arkhi-, chief + tekton, builder), i.e., chief builder.
Professionally, an architect's decisions
affect public safety, and thus an architect must undergo specialized training
consisting of advanced education and a practicum (or internship)
for practical experience to earn a license to practice architecture. Practical, technical, and academic requirements for becoming an
architect vary by jurisdiction.
The terms architect and architecture
are also used in the disciplines of landscape architecture, naval architecture and often information technology (for example a software architect). In most jurisdictions, the professional and commercial uses of the
terms "architect" and "landscape architect" are legally
protected.
Architects in practice
In the architectural profession, technical
knowledge, management, and an understanding of business are as important as
design. An architect accepts a commission from a client. The commission might
involve preparing feasibility reports, building audits, the design of a
building or of several buildings, structures, and the spaces among them. The
architect participates in developing the requirements the client wants in the
building. Throughout the project (planning to occupancy), the architect
co-ordinates a design team. Structural, mechanical,
and electrical engineers and other specialists, are hired by the client or the architect, who
must ensure that the work is co-ordinated to construct the design.
Design role
The architect hired by a client is
responsible for creating a design concept that meets the requirements of that
client and provides a facility suitable to the required use. In that, the
architect must meet with and question the client [extensively] to ascertain all
the requirements and nuances of the planned project. This information, known as
a program or brief, is essential to producing a project that meets all the
needs and desires of the owner—it is a guide for the architect in creating the
design concept.
Architects deal with local and federal
jurisdictions about regulations and building
codes. The architect might need to comply with
local planning and zoning laws, such as required setbacks, height limitations, parking
requirements, transparency requirements (windows) and land
use. Some established jurisdictions require
adherence to design and historic preservation guidelines.
Construction role
Architects typically put projects to tender on
behalf of their clients, advise on the award of the project to a general contractor, and review the progress of the work during construction. They
typically review contractor shop drawings and other submittals, prepare
and issue site instructions, and provide construction contract administration
and Certificates for Payment to the contractor (see also Design-bid-build). In many jurisdictions, mandatory certification or assurance of the
work is required.
Depending on the client's needs and the
jurisdiction's requirements, the spectrum of the architect's services may be
extensive (detailed document preparation and construction review) or less
inclusive (such as allowing a contractor to exercise considerable design-build
functions). With very large, complex projects, an independent construction manager is sometimes hired to assist in design and to manage construction.
Alternate practice and specializations
Recent decades have seen the rise of
specializations within the profession. Many architects and architectural firms
focus on certain project types (for example, health care, retail, public
housing, event management), technological expertise or project delivery
methods. Some architects specialize as building
code, building
envelope, sustainable design, technical
writing, historic preservation(US) or conservation (UK), accessibility and other forms of specialist consultants.
Many architects elect to move into real estate (property) development, corporate facilities planning, project management, construction management, interior
design or other related fields.
Professional
requirements
Although there are variations from place to
place, most of the world's architects are required to register with the
appropriate jurisdiction. To do so, architects are typically required to meet
three common requirements: education, experience, and examination.
Educational requirements generally consist of
a university
degree in architecture. The experience requirement
for degreed candidates is usually satisfied by a practicum or internship
(usually two to three years, depending on jurisdiction). Finally, a
Registration Examination or a series of exams is required prior to licensure.
Professionals engaged in the design and supervision
of construction projects prior to the late 19th century were not necessarily
trained in a separate architecture program in an academic setting. Instead,
they often trained under established architects. Prior to modern times, there
was no distinction between architects, engineers and often artists, and the title used varied depending on geographical location. They often
carried the title of master
builder, or surveyor, after serving a number of years as an apprentice (such as Sir Christopher Wren). The formal study of architecture in academic institutions played a
pivotal role in the development of the profession as a whole, serving as a focal
point for advances in architectural technology and theory.
Professional title
distinctions
- A Senior Principal / Partner:
Typically an owner or majority shareholder of the firm; may be the
founder; titles may include managing director, president, chief executive
officer, or managing principal/partner.
- Mid-level Principal / Partner: Principal or
partner; titles may include executive or senior vice president or
director.
- Junior Principal / Partner: Recently made a partner or
principal of the firm; title may include vice president or associate
director.
- Department head / Senior Manager: Senior
management architect or non-registered graduate; responsible for major
department(s) or functions; reports to a principal or partner.
- Project Manager: Licensed architect, or
non-registered graduate with more than 10 years of experience; has overall
project management responsibility for a variety of projects or project
teams, including client contact, scheduling, and budgeting.
- Senior Architect / Designer: Licensed architect, or
non-registered graduate with more than 10 years of experience; has a
design or technical focus and is responsible for significant project
activities.
- Architect / Designer III: Licensed architect or
non-registered graduate with 8–10 years of experience; responsible for
significant aspects of projects.
- Architect / Designer II: Licensed architect or
non-registered graduate with 6–8 years of experience, responsible for
daily design or technical development of projects.
- Architect / Designer I: Recently licensed architect or
non-registered graduate with 3–5 years of experience; responsible for
particular parts of a project within parameters set by others.
- Intern Architect:
Unlicensed architecture school graduate participating in a defined
internship program; develops design or technical solutions under
supervision of an architect. In the U.S., some states prohibit the use of architect
to describe an unlicensed person who provides architectural services.
Architect's fees
Architects' fee structures are typically
based on a percentage of construction value, as a rate per unit area of the
proposed construction, hourly rates or a fixed lump sum fee. Combinations of
these structures are also common. Fixed fees are usually based on a project's
allocated construction cost and can range between 4 and 12% of new construction
cost, for commercial and institutional projects, depending on a project's size
and complexity. Residential projects range from 12 to 20%. Renovation projects
typically command higher percentages, as high as 15-20%.
Overall billings for architectural firms range widely, depending on location and economic climate. Billings have
traditionally been dependent on the local economic conditions but, with rapid
globalization, this is becoming less of a factor for larger international
firms. Salaries also vary, depending on experience, position within the firm
(staff architect, partner or shareholder, etc.) and the size and location of
the firm.
Relations with the architect
In the
history of architecture there has often been an unseen contradiction between
what the architect wants to design and what the client wants built. Sometimes
an architect will get so wrapped up in his vision and personal aesthetic values
that what the client likes and does not like becomes secondary, or is
overlooked completely. When this happens the house or building created may win
design awards and look beautiful to a trained architectural eye, but the client
or people who have to live in it may dislike it intensely. Often the owners or
tenants will go back in and change things a second or third time to better suit
their aesthetics or purpose.
At the
root of this problem is the very nature of architecture, to create. An
architect is very passionate about the creative artistic aspects of his work.
He wants to create something new and different and put himself and his vision
into his work. Often, however, the growth and development of an architect
involves the painful realization that their unique vision does not usually
count for very much. The client, after all, is paying for it and has to live
with the house or building long after the architect has finished and gone on to
other projects. The architect is there to serve the client and not the other
way around.
The
other professions rarely have this problem. Doctors and lawyers are almost
always acknowledged to be the decision makers and authorities in their
respective fields. Science and the written law are established and much less
subject to interpretation compared to artistic values and visions.
Unfortunately,
the established architectural community and schools have more often than not
made the problem worse. Architects are never made famous because of how well
they satisfy their clients. They are famous because of the unique, creative
style or image that they have managed to present to the world. Architectural awards
are given to designs or buildings that are creative and almost never to
buildings that perform their function flawlessly or totally satisfy their
clients. In many cases, world famous architects have never had the opportunity
to build more than a small handful of buildings because of this contradiction
between client needs and the architect's creative vision.
Ultimately
the best solution for most established architects is to balance the two
extremes and become a teacher for the client. The architect presents the client
with various design and style options and the pros and cons of each and listens
carefully to the needs and tastes of the client. This establishes a dynamic
synergistic relationship. Together they decide the image and vision for the architectural
creation.
Understanding the Client -
Architect - Contractor Relationship
A successful, efficient project considers the
client's needs, their well being, and their budget. The Client, The Architect,
and the Contractor have very specific and necessary roles.
·
The Client – have
specific goals, expectations and a budget that is in alignment with these goals
and expectations.
·
The Architect –
must guide the client, propose reasonable, sustainable design solutions, and
provide accurate detailed drawings. These must meet the client's requirements
as well as applicable building codes and zoning criteria. The finalized
construction documents will become the client’s contract with the contractor.
·
The Contractor –
must be a responsible craftsman with expertise and the experience necessary to
manage the trades and to build the project as designed and documented.
As with a 3-legged stool, all of the three
parties must work together in concert. They must maintain open dialogue and be
able to troubleshoot as a team in order to respond to unforeseen issues or
client-initiated changes. Limiting or eliminating any of these components will
leave the client with a compromised solution.
Ultimately, the Client has two contracts, one
is between the Owner and the Architect and the other is between the Owner and
the Contractor. The Architect works for the Owner during the Construction Phase
to observe that the Construction Documents are being interpreted correctly.
The Architect advocates for the Owner. Beware of the Contractor that does
not want an Architect involved. Remember, the Architect works for the
Owner to see that the investment in the Contract Documents--also known as
Drawings and Specifications, is realized.
Process of a project
Design
and construction projects involve several steps. Typically, projects go through
the following steps. However, on some projects, several of these steps may be
combined; on others there may be additional steps.
- Step 1. Deciding What to Build
This first stage, called programming, is probably the
most valuable time you will spend with us. It is at this time you discuss the
requirements for your structure; how may rooms, what function it will have, who
will use it and how. It is also the time when you begin to test the fit between
what you want, what you need, and what you can spend. Don’t come in with
solutions already decided upon. Be prepared to explore new and creative ideas.
Be very frank about how you want the end result to feel and work. We will ask
you lots of questions to get a better sense of your goals and needs and to
determine, in our judgment, if your expectations match your budget. We may
suggest changes based upon knowledge, experience, and your budget. After
thoroughly discussing your functional requirements, we may prepare a statement
outlining the scope of your project. During the next step, your program will be
realized.
- Step 2. Rough Sketches
If you have defined what is to be built, we will then prepare a series of rough sketches, known as schematic designs. These sketches will show you the general arrangement of rooms and of the site. If you have difficulty understanding the sketches (many people do), ask us to explain. Depending on the project, we often make models of the design to help better visualize it. These sketches are not “finished” construction documents. They are meant to show possible approaches for you to consider. We will refine and revise the sketches until a solution is developed that you agree meets your needs. At this point, we will also give you a rough preliminary estimate of construction cost. Remember, there are still many more details to be established about your project and that this cost estimate is very general. It is hard to predict market conditions, the availability of materials, and other unforseen situations that could drive up costs. Therefore, this figure must include a healthy contingency to cover cost changes that arise as the design matures. Don’t panic if these first sketches seem different from what you first envisioned. Ask how these designs satisfy the requirements you discussed in the first stage. It is vital that you and your architect are clear about what you want and what we intend to design. It is much easier to make changes now when your project is on paper, than later on when foundations have been poured and walls erected. Before proceeding to the next phase, we will ask for your approval of these sketches. - Step 3. Refining the Design
This step, called design development, is when
the architect prepares more detailed drawings to illustrate other aspects of
the proposed design. The floor plans show all the rooms in the correct size and
shape. When looking at these drawings, try to imagine yourself actually using
the spaces. Ask yourself: Do the traffic patterns flow well? Do I have a good
sense of what it will look like? Do I like how it looks? Do I agree with the
selection of wall and ceiling finishes, door types, windows, etc.?
- Step 4. Preparing Construction
Documents
At this point, we prepare construction documents, the detailed drawings and specifications which the contractor will use to establish actual construction cost and to build the project. These drawings and specifications become part of the contract. When construction documents are finished, you are ready to hire the general contractor or builder. - Step 5. Hiring A Contractor
There are a number of ways to select a contractor. We can make recommendations, or if you already have someone you want to work with, you might send the construction documents to him or her and negotiate fees and costs. Or you may wish to choose among several contractors you’ve asked to submit bids on the job. We will help you prepare the bidding documents, which consist of drawings and specifications as well as invitations to bid and instructions to bidders. The bidding documents are then sent to several contractors, who within a given period of time, reply with bids which include the cost for building your project. The lowest bidder is often selected to do the work, but not always. We will help you make the contractor selection based on the best value. While we can recommend contractors and assist in the selection process, the final choice is up to you. Some people prefer to act as their own general contractor or to do part or all of the construction themselves. These methods can save you money initially but can also add problems and costs later on. Discuss the pros and cons of these methods with us to help you decide what will work best for you. - Step 6. Construction
This final step is often the most anxiety-producing part of the whole process. Up until now, your project has been confined to intense discussion, planning, and two-dimensional drawings. When construction begins, your project moves from an abstraction to a physical reality. Our involvement normally does not stop with the preparation of construction documents. We also provide construction administration services. These services may include assisting you in hiring the contractor, making site visits, reviewing and approving the contractor’s applications for payment, and keeping you informed of the project’s progress. Even though we observe construction, the contractor is solely responsible for construction methods, techniques, schedules, and procedures. The contractor supervises and directs the construction work on the project. The path to a completed building project is paved with lots of challenges and uncertainty. There are literally hundreds of decisions to be made, decisions which have a strong impact on how the project looks and functions over time. We can ease the way by helping you avoid the wrong turns, but also can direct you to solutions you never considered. The result is a unique building project created to meet your specific needs, express your individuality, and provide enjoyment for everyone who uses it.
Here are the 7 reasons to take up Architecture as a profession…
1. An Architect is a sort of an inventor. Like an
inventor who goes about making and designing new gadgets, you go around
designing new buildings. Architecture is a very satisfying profession You’ll
get a tremendous sense of delight after your concepts on paper transform into
real buildings. You’ll know the joy of creation in this field of Architecture…
2. A
course in Architecture is a lot of fun. Unlike traditional
colleges where you must slog yourself in study halls and libraries, reading and
writing all the time, a course in Architecture gives you the liberty to use the
right side of your brain, the creative part. You get a lot of opportunities to
showcase your creativity and ingenuity while designing structures.
3. Architecture is a very high paying field.
Once you get through the course and pass out with good grades, you’d be pursued
by large firms looking for fresh talent and new ideas. And compared to most
other fields.
4. It is easy to define Architecture but the
word has far deeper meaning than it implies. While you study Architecture, you
get to study various
fields of human endeavor, including Art, History, Material Science, Physics,
Engineering… anything and everything that can help improve the
living environment of human beings. It is the most diverse subject you can
find. And yet, this field attracts the most creative and romantic minds in the
world.
5. The work of an Architect one of the most challenging and enjoyable
imaginable. Every building is different. Every project is different. There is
absolutely no monotony in life. The thrill and the challenge of work is
exhilarating to say the least.
6. If you’re the kind of guy (or gal) who
likes to work with his (or her) hands, then Architecture is the right
profession for you. In Architecture study course, you get to work with your
hands. Its not just about reading and writing all the time, but you must have a hands-on approach on
many assignments. Building scale models, making surveys, talking to people… its
a very active field.
7. Architecture may sound like a 9 to 5
office job, but it’s not. It’s a lot more than that. Even as a student of
Architecture, you get
to work on real-life problems of designing functional
buildings. If you like to hit the road every now and then, you’re in for some
luck. In this profession, you get to travel a lot. You have to put your feet on
the ground, and visit construction sites.
Subject to be learnt by architecture students
–
- Architectural Design -Applying the knowledge gained in
other subjects and to design buildings of medium complexity e.g. Schools,
Colleges, Dispensaries, Shops and Houses, etc., and present them in
graphic form.
- Building Construction -Knowledge of various methods of
building construction of medium complexity with timber, stone, bricks,
concrete etc. including foundation, walls, roofs, staircase, joinery and
finishes.
- Building Materials and Sciences -Knowledge of
basic building materials and their behaviour such as bricks, stones,
metals, timber and finishing materials. Effects of climate on built
environment to be able to design for comfortable conditions.
- Architectural Drawing and Graphics -Ability to
present in graphic form all elements of design – Study of shades and
shadows, textures, tones, colours, geometrical form, perspectives and
projections, free hand drawing and rendering.
- History of Architecture -Study of various styles of
Architecture and methods of construction through the ages in the world
with emphasis on Indian Architecture.
- Workshop Practice -Ability to make building models
with various materials such as card-board, wood, plastics, plaster of
paris and metals. Ability to make simple joints in timber, pipes and other
materials.
- Landscape Design -Understanding of Landscape
elements like trees, shrubs, plants, water, rocks and development of
landscape planning and application in architectural design.
- Structural Mechanics and Theory of Structures
– Understanding the structural concepts and behaviour of structural
elements, simple calculations for columns, beams, frames, footings, slabs,
walls in concrete, steel and timber.
- Surveying and Levelling – Understanding of various survey
and levelling instruments, carrying out surveys of land of medium
complexity and preparation of survey plans.
- Building Services and Equipment – Study of and
designing for water supply, drainage, sewage disposal, electricity supply,
wiring and lighting for buildings.
- Humanities – Study of sociology, economics
and culture, as applicable for design of human settlements.
- Estimating and Costing – Systems of taking out
quantities and estimating for all trades involved in construction of
medium complexity.
- Principles of Human Settlements – Man and
environment : Biological and behavioural responses to human settlements;
Design for living, natural and built-environment. Ancient texts and
treatises on settlement and area planning in India.
Human settlements during ancient medieval and modern periods in India, Europe and other parts of the world. Characteristics of human settlements built by Muslims and Hindu rulers in India.
- Building Sciences and Services – Study of
Accoustics, Air-Conditioning, Heating, Cooling, Mechanical installations,
Fire-control, Water supply and Drainage system for complicated buildings.
- Town Planning (Theory) – A general understanding of Town
Planning principles as they have evolved through the ages.
- Professional Practice – The examination in professional
practice is designed to assess the knowledge, skill and maturity which fit
the architect to fulfil his professional duties and his understanding of
the management of an office organisation for such as a purpose. The
syllabi should cover the following areas of study:- General principles of
Indian Contract Act; Building Contracts generally, Conditions and forms of
contract, Administration of contracts, Principles of arbitration, Indian
Arbitration Act, 1940, valuation of properties, Architectural competitions;
Easements of properties; Report writing; Codes of Practice; Conditions of
Engagement; Duties and responsibilities of an architect in relation to
owner, contractor, relate professional and public; Indian Standards &
Codes of Practice.
- Building Bye-laws – Study of building regulations
to enable to design and prepare drawings for submission to concerned
bodies.
- Structure Systems - Study of new structural
technology such as space frames, prestressing, shells and understanding of
the limitations and scope of these techniques. Calculations for these
techniques are not expected.
- Electives such as: Urban Design, Interior
Design, Building Management, Landscape Design, Urban Planning.
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